Stourhead House & Gradens - Keith Walker
23rd October 2026
In: News, Members' Articles
Stourhead House and Gardens
With apologies to everyone familiar with this location, here is part two of my visit.
In my view, Stourhead, managed by the National Trust, is as photogenic a location as you will find. This is especially true in the Spring when the Rhododendrons and Azaleas are in flower, and in the Autumn when the autumn colours are prolific.
Unfortunately the peak of both seasons can vary by a few weeks, and I have found the updates on the NT website to be optimistic (I guess they want revenue) so some judgement is required.
For the history I quote the NT website. A comprehensive history can be found on the website.
This vision of Stourhead was rooted in an emerging 18th-century fashion for gardens inspired by art and a landscape’s natural features. Henry Hoare II (Grandson of Henry Hoare I, who acquired the Estate in 1717), is credited with transforming the Estate. Henry’s
own inspiration may have come from multiple sources, such as his travels in Europe, from reading Virgil's poem the 'Aeneid', and the landscape paintings he owned by Claude Lorrain, Nicolas Poussin and Gaspard Dughet.
Henry also made use of talented craftspeople, artists and designers for the house, garden and estate. These included architect Henry Flitcroft, sculptor Michael Rysbrack and painter John Wootton.
It was Flitcroft who designed the famous temple buildings which punctuate the route around the lake. The first of these was the Temple of Flora, erected 1744–46. The Pantheon followed and, lastly, the Temple of Apollo, which took its place high on the hillside in 1765.
The scale and imaginative design of Stourhead make it one of the most iconic English landscape gardens in the world.
I hope the images here, all taken with Leica M cameras, will inspire you to visit.
With apologies to everyone familiar with this location, here is part two of my visit.
In my view, Stourhead, managed by the National Trust, is as photogenic a location as you will find. This is especially true in the Spring when the Rhododendrons and Azaleas are in flower, and in the Autumn when the autumn colours are prolific.
Unfortunately the peak of both seasons can vary by a few weeks, and I have found the updates on the NT website to be optimistic (I guess they want revenue) so some judgement is required.
For the history I quote the NT website. A comprehensive history can be found on the website.
This vision of Stourhead was rooted in an emerging 18th-century fashion for gardens inspired by art and a landscape’s natural features. Henry Hoare II (Grandson of Henry Hoare I, who acquired the Estate in 1717), is credited with transforming the Estate. Henry’s
own inspiration may have come from multiple sources, such as his travels in Europe, from reading Virgil's poem the 'Aeneid', and the landscape paintings he owned by Claude Lorrain, Nicolas Poussin and Gaspard Dughet.
Henry also made use of talented craftspeople, artists and designers for the house, garden and estate. These included architect Henry Flitcroft, sculptor Michael Rysbrack and painter John Wootton.
It was Flitcroft who designed the famous temple buildings which punctuate the route around the lake. The first of these was the Temple of Flora, erected 1744–46. The Pantheon followed and, lastly, the Temple of Apollo, which took its place high on the hillside in 1765.
The scale and imaginative design of Stourhead make it one of the most iconic English landscape gardens in the world.
I hope the images here, all taken with Leica M cameras, will inspire you to visit.
Comments
By CledLewis: Hello Keith,
The second part of the article is equally successful in showing the beauty of Stourhead
Beautiful colours in all the images.
Henry Hoare 11 got it right for us to enjoy
Thanks for sharing. By David Askham: Your colours this week are beautiful and, according to the calendar, seasonally correct Keith. However, in Wiltshire, the plants are very confused by the extreme weather and are thinking and behaving as if it is Springtime again! By Don Morley: Superb pictures and wonderful colours and such a variety of subjects from just one venue, You certainly did it justice Keith and I hope the National Trust themselves will also take note and very soon be asking permission to re use them.